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Here’s a little potted history of Fink, from 2006 ‘til today. Some might see it differently, this is how we remember it…
BISCUITS – I guess this current incarnation of Fink all started when Guy said he was up for playing bass on a few tracks (‘So Long’ on Biscuits For Breakfast being the first I think) and Tim, over beers at a pub in Hampstead, was persuaded to play drums on a few (his first being probably the title track ‘Biscuits’). Then Ninja Tune released Biscuits in 2006, and the track ‘Pretty Little Thing’ kinda struck a chord out there for some reason. So we toured, and toured and toured, learning and playing, playing and learning… We packed a tent at Lowlands festival in Holland, we sold out La Maroquinerie in Paris and Joe’s Pub in New York City, we played from the USA to Poland and everywhere in-between.
DISTANCE – When we were through learning what a soundcheck was, we wrote Distance And Time in 2007. It has some really solid tracks we think: ‘Blueberry Pancakes’, ‘If Only’ (which led to me working with John Legend), and particularly ‘This Is The Thing’, which continues to give us love not only as a decent song but also as a sync machine… Timmy took a break to pursue real life for a moment, so we toured quite a lot of Distance with Adrian the Canadrian (seen rocking out in the video section at the Haldern festival in Germany). We kinda turned to Europe big time as the UK was ignoring us a little… Radio 1 was great, but the press didn’t want to know… So we toured Europe, and loved it, so we toured it again… supporting Camille and Massive Attack, playing huge amphitheatres and everywhere from LA to Cape Town, the Albert Hall to Carnegie Hall… it was awesome….
REVOLUTION – We stopped touring Distance and went straight into the studio. Well, I say studio, but we wanted to take it somewhere else… somewhere maybe more intimate… so we converted my apartment into a recording studio-cum-storage ground, and after several visits and threats of fines from Brighton Council we delivered Sort Of Revolution in 2009, the tricky third set. We loved dub and hadn’t really represented that on previous outings so we nailed ‘Sort Of Revolution’ and ‘Q&A’ – the former gaining us our first KCRW session in LA, the second our first BBC Maida Vale session for Gilles Peterson (perhaps the last DJ on Radio 1 we expected to like our stuff). This record saw us really start to play bigger, and after all the TV stuff the fame game was beginning to kick in, which was and still is a little weird… We really did tour the shit our of this album, including a mind-bending China tour, finishing up in Australia with one of our fave gigs ever I think, at The Corner Hotel in Melbourne….
PERFECT DARKNESS – So we took a little hiatus: a bit of writing time, put our lives back together a little bit… During all of the above Timmy wrote a few books (available now on Random House: they’re about bands… lots of famous musos from the 90’s love ‘em…. if you even know what a ‘neddy’ is you’ll love ‘em too). We recorded a couple of Sideshow albums for Aus Music, and I wrote a load of songs for other people. We really needed a few months off… we all got fat and lazy and it was great…. then we travelled to Los Angeles in November 2010 for a blitzkrieg recording session in Steakhouse studios with Billy Bush. We had 8 tracks written and roughly planned out, plus two to do on the ground once there… y’know, kinda soak up the atmosphere as well as the Mexican junk food… We nailed the whole record from start to finish in 16 days – a feat that I think surprised the producer as much as us… we wanted to nail some hardcore blues (‘Wheels’) and some big tracks (‘Fear Is Like Fire’) as well as a stringy epic (‘Perfect Darkness’). We’re pretty amped about the whole album… It comes out in June 2011 (September in the US)… See you there, back out on the road… new set, new songs, loving it….