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Flav Martin


About: Flav Martin

FLAV MARTIN (pronounced Flahv) is dedicated to writing eclectic acoustic music. Flav has appeared on The Morning Show (NBC) and has been the primary composer for Rhode Island's Shakespeare in the Park Festival held in Westerly, R.I. every summer for the past seven years.

Throughout his career he has played with and/or opened for David Crosby, Al Stewart, Jefferson Starship, Eric Burdon and the Animals, Suzanne Vega, Aztec Two-Step, Denny Laine (Paul McCartney and Wings), Leo Kottke, Pete Best (The Beatles,) Davy Jones (The Monkees,) Cry of Love, Tommy Emmanuel, Chad and Jeremy, The Radiators, Wide Spread Panic and Steve Morse to name a few. Flav's many writing credits include Saturday Night Live, PBS, Canon Films and New York-based off-Broadway productions and various independent films.

His music has been acclaimed by the media and some very well-known celebrities:
David Crosby -- "Excellent material and player!"
David Santaniello -- Executive with Sony/Columbia -- "A tour de force ... packed with talent!"
Tommy Emmanuel -- "Great stuff! I was jammin' along with him on the side of the stage."
Chad and Jeremy; "Flav is the 21st centuries Richie Havens"
Tina Schafer-Bitter end Songwriters circle-"The real deal"

Credited as one of the most innovative acoustic guitar players on the scene today, Flav blends beautiful melodies with intricate technique, voicing, and a percussive style that leaves people saying "How does he do that?"

Flav has been called "the guitarist's guitarist; soulful, sarcastic, funny, and at times romantic" all in one. He is a unique, approachable player who has performed at The Bitter End, The Spotlight, The Narrows, Stone Soup, Newport Yachting Center, Folk City, The Knitting Factory in New York, The Nassau Coliseum, The Bluebird in Nashville and other various cities north, south, east and west. Flav has also appeared on the Martin Stage in Austin, Texas, the Zihuatanejo International Guitar Festival in Mexico and the Misquamicut Music Festival in Rhode Island. and many more venues throughout the country.

Flav's shared love is screenwriting which prompted him to open up a small project studio called "Mojo", a creative arts studio. It is a 1,200-square foot space in downtown Westerly with a small stage suitable for small film projects, talk show-type film interviews as well as audio pre-and post-production. He is currently available for scoring independent films/projects. Mojo is an active art gallery as well, fueled by the artistic vision of artist Wendy Gencarell.

Discography

Independently distributed CD's with former band Arrowhead.

Music for PBS and Saturday Night Live,and many more.
Rhode Island Shakespeare In the Park festival composer since 2002.
Flav Martin-"Stages" Vol 1-3 will be released throughout 2012- 2013.

CD debut events are scheduled in the United States, Amsterdam, Italy, Germany and France




















Flav Martin - MySpace
http://www.myspace.com/flavmartin
Flav Martin – Sonic Bids
http://www.sonicbids.com/2/EPK/?epk_id=4802
Flav Martin – CD Release Party (Article – The Westerly Sun)
http://www.thewesterlysun.com/entertainment/article_8f3dc6c8-02d8-11e0-912a-001cc4c002e0.html
Flav Martin - Soundcloud
https://soundcloud.com/#flavmartin
Flav Martin - Jango
http://www.jango.com/music/Flav+Martin+Band?l=0
Videos!
Flav Martin – YouTube – Official Website
http://www.youtube.com/user/flavmartin
Buy Music!

Coming Soon!
 

LoNero


About: LoNero

What is Guitarcore? The answer is simple……J.F.L.!!
LoNero gave birth to Guitarcore with their first release “Relentless” in 2007. Fourteen tracks of punishing rhythms and strong melodic hooks. From the time “Relentless” was released, musical barriers were not only broken, but shattered! Fans of nearly every genre responded with more enthusiasm than the band could have ever imagined which gave even stronger resolve to LoNero’s idea that the melody and song should be the most important aspect whether it’s instrumental rock or not. Guitarcore is about the song, the band and the fans! No limits, no borders, no nonsense. Unlike most instrumental rock artists whose songs are a seemingly endless display of solos, LoNero chooses to focus on rhythm, groove, verse, chorus and melody. Their songs are constructed as if a vocalist is going to sing over them. As Guitar Player magazine stated “(LoNero) claims to have invented Guitarcore so you should really hate them! But you can’t because they’re just so damn good!”.


LoNero’s vision and drive is evident in their 2011 release “J.F.L”. This time with the talents of Grammy Award winning producer/engineer Michael Rosen (Metallica, Joe Satriani, Santana, Papa Roach, Rancid, Testament, Todd Rundgren and many many more). Recorded entirely at LoNero’s rehearsal/recording studio, J.F.L takes Guitarcore to an even more refined level. With such songs as “Little Bastard”, “Eden”, Downside” etc, LoNero proves groove and melody are still king. Not only has LoNero created Guitarcore, but with “J.F.L.” they introduce “Punkstramental”. With a nod and wink to bands such as The Ramones and Social Distortion, the punkstramental songs “Fat Tat” and “Good Luck” keep the punk vibe alive within an instrumental format. Something truly unique within the instrumental genre.

With “J.F.L.”, LoNero continues to move forward and forge new ground while still retaining integrity and honesty in their music. Something that is tantamount to what Guitarcore stands for.
2011/2012 had LoNero as main support on tour with legendary guitarist Pat Travers. The end of 2012/2013 has LoNero on tour with original Iron Maiden vocalist Paul Dianno, says Bill Lonero. “I’ve had the privilege of playing or recording with the likes of Cliff Williams (AC/DC), Simon Kirke (Bad Company), Stu Hamm (Joe Satriani), Gigi Gonaway (Mariah Carey), Mike Mangini (Extreme and Steve Vai) and Polo Jones (Zucchero and Whitney Houston) so I understand what hard work is and am prepared to do what it takes to build our fan base. We love playing live because we can connect with our fans.”


Band members:

Bill Lonero – Lead/Rhythm/Harmony Guitar
Brandon Hayes-Rhythm/Harmony Guitar
Mike McKaigg-Bass
Marco Bicca-Drums













LoNero – Official Website
http://www.lonero.net/
LoNero - ReverbNation
http://www.reverbnation.com/lonero
LoNero - MySpace
http://www.myspace.com/LoNero
LoNero - FaceBook
http://www.facebook.com/LoNeroMusic
LoNero - Twitter
https://twitter.com/LoNero
Videos!
LoNero - YouTube
http://www.youtube.com/LoNeromusic
Buy Music!
LoNero – Official Store
http://www.thenewalbum.com/
LoNero - iTunes
https://itunes.apple.com/us/artist/lonero/id250864368
LoNero – CD Baby
http://www.cdbaby.com/cd/LoNero
LoNero – Rhapsody
http://www.rhapsody.com/#artist/lonero?ref=atw&_suid=1358607067919043791797231842955
LoNero – Amazon
http://www.amazon.com/s?_encoding=UTF8&field-artist=LoNero&search-alias=music
LoNero – Last FM
http://www.last.fm/music/LoNero

 

Christy Jefferson


About: Christy Jefferson

For the past 10 years, singer & songwriter Christy Jefferson has made her living as a full time performer & recording artist domestically and abroad, with 8 self released CDs to her credit -- all released through her own record label.

Christy lives in Bucks County, PA (USA), and has diligently toured in her region and along the east coast of the US for 10 years, performing at colleges, festivals, arenas, reputed listening rooms, and house concerts. In 2011, Christy enjoyed a very successful international tour to the Falklands Islands, and then headed to England to perform at the Dale Road Music Club the night of the Royal Wedding.

Christy has her BA in Vocal Performance and graduated Summa Cum Laude from Kutztown University. She has opened for national acts including Kansas, performed for live audiences of 10,000 people, sang her way out of a speeding ticket, been on TV (10! Show, Tuned In, 69, etc.) & radio (WXPN, Pandora) in the US and abroad, won international song competitions, performed at notable venues (Musikfest, Reading Sovereign Center, Coca-Cola Park), worked with well known producers (whose credits include John Lennon, U2, Stevie Nix, Tom Petty, Frank Sinatra, Bob Dylan, Paul Simon, etc.), is signed with a music publisher, was signed with a college booking agency (up until 5/12), and has had notable names perform on her recordings, including Blue Oyster Cult’s Buck Dharma.

In addition to performing, writing, and recording, Christy has offered private music instruction on and off throughout her professional career. Over the past 2 years, she has increased her focus on teaching private vocal instruction, guitar instruction, piano instruction, songwriting, and music career mentor ship.

Jefferson is also a certified Reiki Master and Teaches Reiki I, II, and III certifications in addition to giving Reiki Healing Sessions.

Contact: christyj@me.com
















Christy Jefferson – Official Website
http://www.christyjefferson.com/
Christy Jefferson - ReverbNation
http://www.reverbnation.com/#!/christyjefferson?kick=853369
Christy Jefferson - FaceBook
http://www.facebook.com/christyjefferson
Christy Jefferson - MySpace
http://www.myspace.com/christyjefferson
Christy Jefferson - Twitter
http://twitter.com/christyjeffersn
Christy Jefferson - WordPress
http://christyjefferson.wordpress.com/
Christy Jefferson – Sonic Bids
http://www.sonicbids.com/epk/epk.aspx?epk_id=32581
Videos!
Christy Jefferson - YouTube
http://www.youtube.com/christyjefferson
Buy Music!
Christy Jefferson – Official Store
http://www.christyjefferson.com/cjsdiscography.html
Christy Jefferson - iTunes
https://itunes.apple.com/us/artist/christy-jefferson/id77994341
Christy Jefferson – CD Baby
http://www.cdbaby.com/Artist/ChristyJefferson
Christy Jefferson – Amazon
http://www.amazon.com/Christy-Jefferson/e/B001LHSS6Y/ref=ntt_mus_dp_pel/192-7057079-4582748
Christy Jefferson – Rhapsody
http://www.rhapsody.com/#artist/christy-jefferson?&_suid=1358592555512010383964604143209
Christy Jefferson – eMusic
http://www.emusic.com/listen/#/artist/christy-jefferson/11667986/
Christy Jefferson – Last FM
http://www.last.fm/music/Christy+Jefferson

 

Fallen Riviera



About: Fallen Riviera

Will Parry and Steve Ornest formed Fallen Riviera while attending the Berklee College of Music in Boston. After making the move to Los Angeles, the band hit the local club circuit hard, gradually building a loyal fan base. They released an EP called "Six Mines", which was ranked Album of the Year by Music Connection Magazine and awarded them the 2011 Lauren Picard Emerging Artist of the Year Award at Cornell University. After receiving an artist endorsement from Casio, Fallen Riviera released a music video for their song “This Is Who I Am”. They returned to the studio with legendary Beatles producer Ken Scott and recorded “Somebody Take Me”, earning the band a full page artist profile in Music Connection Magazine. "Somebody Take Me" is now in rotation on terrestrial FM radio programs such as KWSS, KTHO, and KRHV. Fallen Riviera has finished work on their debut full length album 'Another World', which is set for a 2013 March 9th release date.

Contact:

Artist Management: Francine Davis
management@fallenriviera.com
(310) 766-5865
















Fallen Riviera – Official Website
http://www.fallenriviera.com/fr_welcome.cfm
Fallen Riviera - ReverbNation
http://www.reverbnation.com/fallenriviera
Fallen Riviera - MySpace
http://www.myspace.com/fallenriviera
Fallen Riviera - FaceBook
http://www.facebook.com/fallenriviera
Fallen Riviera - Twitter
https://twitter.com/fallenriviera
Fallen Riviera - SonicBids
http://www.sonicbids.com/epk/epk.aspx?epk_id=211573
Videos!
Fallen Riviera - YouTube
http://www.youtube.com/fallenriviera
Buy Music!
Fallen Riviera - iTunes
https://itunes.apple.com/us/artist/fallen-riviera/id389287831
Fallen Riviera - Soundcloud
https://soundcloud.com/#fallenriviera

 

Harper


About: Peter D Harper

An amalgamation of blues, rock, funk, soul and world music, Australian singer/ songwriter "Harper" creates a heady mix of roots music through his creative use of the harmonica, and the haunting drone of the didgeridoo. By combining traditional and modern influences, borowing from Western and Aboriginal music, Harper has created a highly original take on the roots genre which many have labeled "World Blues". His innovative use of electronic enhancement and feedback, breaks the traditional boundaries of the harmonica, giving his music its distinctive harmonics and effects. The powerful guitar sounds and the unique drone of the didgeridoo create raw yet eerie sonic textures, some how sounding primal and contemporary at the same time. No Depression Magazine,'s Rod Ames, adds that Harper " has written and arranged some of the most soulful blues rock filled music I've heard in quite sometime".

Harper's new CD “Live at the Blues Museum” (Release date, April 16, 2012- PdHarp Records) was recorded on a cold wintery night on Saturday December 17, 2011 at Canada’s only Blues Museum, Place, Concorde, Windsor, Canada. This was a very special evening for Harper as he was inducted into the Blues Museum Hall of Fame before a packed house of rabid music fans. This is also Harper’s first live CD in 10 years and it has proven to be worth the wait. This new CD features 15 original tracks, over 75 minutes of playing from his three Blind Pig Releases “Stand Together” (2010), “Day By Day” (2007), “Down To The Rhythm” (2005) and his two independent releases: “Way Down Deep Inside” (2003) and “Glass On The Stepping Stone” (2000). “Live at the Blues Museum” gives the listener a portal to the magic that happens at a Harper concert. Rambles Magazine describes Harper as “a master Chicago-style harmonica player“. His extraordinary harmonica skills demonstrate electric ferocity to gentle acoustic finesse. Harper’s powerful soulful voice rips through this 15-song set with passion and integrity. His use of the deeply spiritual didgeridoo is definitely not a gimmick, but an extension of his song writing and arrangement skills. Harper’s unique sound is reflected in his use of rhythms and a tribal spirit he experienced growing up in Perth, Western Australia. The listener also catches a glimpse of Harper’s sense of humor and his depth of character. Harper loves to perform and we feel his joy! Harper’s non-stop touring schedule is self evident in the tightness and ease of performance. He is backed by his incredible Michigan based band “Midwest Kind” which features: Matt Besey on Guitar, Chris Wiley Smith on Bass Guitar/ Djembe and Scott Key on Drums. Their familiarity with the arrangements and with each other's abilities allows them to elongate the groove giving Harper a great backdrop for his unique songs. "Live at the Blues Museum" got to number 1 on the XM/Sirius National Radio Charts, USA/Canada. The new CD received "Best Live Recording" award by Blues411, USA. 2012. Windsor, Canada's Television network- CFTV 34 plan to air "An Evening with Peter Harper" in the winter of 2012/13

Harper's 2010 release "Stand Together" (Blind Pig Records) reached number 10 on the Billboard Charts and the US Roots Music Charts. "Stand Together" also reached number 2 on the XM/ Sirius Bluesville national Charts, USA. 2010. "Stand Together" was also nominated for "Most Outstanding Recording" by The 2011 Detroit Music Awards. Harper and his band Midwest Kind were listed in the "Top Concerts of 2011 for the City of Chicago" by Chicago Concert Goers Ezine. Art Tipaldi, editor of Blues Revue recently described Harper as "a singer with the deep soul of Motown, a harmonica player who can graft Sonny Boy II and Little Walter with John Popper, a songwriter who tells his own compelling stories in an unhurried, J.J. Cale-like manner, and a musical visionary who is unafraid to mix the didgeridoo, an important part of the Australian indigenous culture, with infectious modern percussive rhythms.”














Harper – Official Website
http://www.harper.biz/
Harper - MySpace
http://www.myspace.com/harperband
Harper - Facebook
http://www.facebook.com/HarperandMidwestKind
Harper - Twitter
http://twitter.com/#!/harperband
Harper – Blind Pig Records
http://www.blindpigrecords.com/index.cfm?section=artists&artistid=30
Videos!
Harper - YouTube
http://www.youtube.com/harperband
Buy Music!
Harper – Official Store
http://www.harper.biz/merch..html
Harper – iTunes
https://itunes.apple.com/us/artist/harper/id468100
Harper – Amazon
http://www.amazon.com/Stand-Together-Harper/dp/B003E1QCSG
Harper – eMusic
http://www.emusic.com/listen/#/browse/album/all/artist:11596865/?sort=az:
Harper – CD Baby
http://www.cdbaby.com/cd/harperandmidwestkind

BIO: Harper

Born in the United Kingdom, Harper’s musical journey began early, performing in brass bands playing the trumpet and euphonium. At the age of ten, his family moved half way the world to Perth, Western Australia, and his father introduced Harper to the harp. In Perth, one of the most isolated cities in the world, there was a thriving blues and folk scene. The blues had a rawness, an honesty and a passion of the soul which spoke to Harper deeply. Then, like every blues lover, Harper began his journey backwards to discover the deeper roots of the music.

"I think Muddy Waters really hit me hard. There was something incredibly special about his sound, his powerful voice and his songs. I would sing his songs constantly. I also really dug Sonny Boy Williamson II as well. I loved his rhythmic use of his harp. I was also inspired by a pretty wide range of players and styles like Little Walter, Sugar Blue and Stevie Wonder who guide me in my harmonica playing. "But Harper did not stop his search with the blues. It was a chance meeting with a Hopi "Dan Running Bear" in Silverton, Colorado, that led him down the path to rediscovering the music of his homeland. Fascinated with the spirituality and culture of the American Natives, he found the same qualities present in the Australian Aborigines of his homeland. On adding the native didgeridoo to his music, Harper says "It is a sound I grew up with, so it seemed natural to add it to my songwriting particularly when the lyrics related to the plight of the Aborigines in Australia. When I added the didgeridoo to the more traditional blues instruments, it worked. The deep woody qualities and its haunting drone seemed to enhance the emotional quality of my stories. The didgeridoo is a spiritual and healing instrument, and it seemed blues music accepted it with open arms. I also owe my life to a tribe of nomadic Aborigines who saved my father and I from starvation when we were trapped at The Fitzroy Crossing, between two fast flowing river torrents. They gave us enough food and water to last us until the flood had subsided”.

Prior to his introduction to American audiences, Harper released six albums to great acclaim in his homeland of Australia. Harper received a Gold Record for "Sailing Australia" (America's Cup Theme). In 1994 he moved to Melbourne, Victoria and released his first album, "Tears of Ice". This was followed by "Yesterday Is Over" in 1996 with his band Blue Devil and "Live At The Soup Kitchen" in 1997 as a soloist. In 2000, he released "Glass on The Stepping Stone" and "Live At St. Andrew’s" in 2002. In 2003 he released "Way Down Deep Inside", for which he received two harmonica awards and “Album of the Year” honor from US Magazine's Guide to the Best of the Blues Harmonicas & Beyond. Over the years Harper has received multiple Australian Blues Awards for “Male Vocalist of the Year,” “Song of the Year,” and “Acoustic Artist of the Year.”Harper was also invited to perform at a Royal Gala Performance for the Queen of England in Perth, Western Australia.

His prolific recording career and memorable stage performances allowed Harper to take his music beyond Australia. He’s played in the USA, Canada, Germany, Austria, Switzerland, Singapore, the United Kingdom, Italy, Belgium and France. He first started performing in the United States in 1996, and has toured here regularly since. It was on one of these tours that he caught the attention of Blind Pig, which made him their first international signing. With a home at a U.S. label and growing appreciation for his music from American audiences, Harper made the permanent move to the U.S. His animated shows have been well received at blues festivals, world music festivals, and by fans of jam band music.Harper has become a huge favorite on the world wide festival scene with an average of 20 to 30 festivals and 200 club dates per year. . It was during one of these recent festival appearances that Chip Eagle, Publisher for Blues Revue/ Blueswax enthusiastically offered "Harper is the most exciting act on the live scene today". He was also invited to perform harmonica on stage several times with US super group- "Journey".

Harper’s first Blind Pig release and American debut, 2005’s Down To The Rhythm, won accolades from the press for its unique sound and virtuoso performances, coupled with Harper’s compositional skill. “Harper is a crack harp player and he plays the instrument with both speed and efficiency, but it would be a mistake to pigeonhole Harper as just an impressive instrumentalist. He is also a solid songwriter, and a soulful singer with a knack for impassioned sincerity,” said All Music Guide. BluesWax noted, “There is much to enjoy here: clever songwriting, top-notch guitar, powerful rhythms, and some great Harper harp!

”Harper’s second release from Blind Pig Records, Day By Day (2007), provided fans wih another prime example of why his unique roots music style occupies a category of its own. Ramble Magazine raved that Harper's harp and lyrics have " depth of feeling and thought that is unusual in today's music ..Harper's music is essential. It should be widely heard". Downbeat Magazine added "Harper uses his trump cards- a strong and direct singing voice, a stirring harmonica out of Sonny Boy Williamson 11 and Little Walter , a droning didgeridoo - to give his melodic tunes an excitement that suits his intelligent use of blues rock and soul forms". Blues legend John Mayall loved Harper's songs so much so, that he included " Just What Your'e Looking For" as track 2 on his new CD "Tough" (Eagle Records)

Harper is at the top of his game on "Stand Together" (2010) and his new Live CD "Live at The Blues Museum" (2012). Both CDs showcase his trademark powerful soulful voice, virtuoso harp playing, haunting didgeridoo, deeply, soulful grooves and unparalleled songwriting and compelling lyrics. With his chops at their best and his band "Midwest Kind" sharing his vision, Harper will continue to turn heads of audiences who are looking for orginality, honesty, passion and skill in modern roots music.

 

Magic Slim & The Teardrops


About: Magic Slim & The Teardrops

Magic Slim is a living blues legend who migrated from the South to Chicago during the 40s and 50s. Slim plays raw intense blues, a style that uses no pedals down on the floor, just him. Slim has paved the way for rock as well as modern blues. Slim has been busy traveling to the juke joints in Mississippi to the nightclubs in Chicago and to concert stages throughout the world, he has built up a die hard fan base within it, and with his release on Blind Pig, "Raising The Bar," on CD, it has been receiving immense reviews and overwhelming recognition. Slim and The Teardrops performances have become legendary, and they play the blues with an undeniable intensity that will leave you out of breath on the floor and in need for more. This is a look into a man that's from the country and plays to audiences on stages all across the world.

This big man of the blues was born Morris Holt in Torrence, Mississippi on August 7th, 1937. His mother and father were sharecroppers; they lived on a farm and they all would get up early in the mornings and slop the hogs, feed the chickens, catch the mule and go out into the fields. "I still had to go to the field until I got age enough to leave home. I got little jobs around there when I was 13 and that was when I got my hand hurt. I hurt it in a cotton gin. I was at the gin and my hand got caught on a piece of wire going up in there, and I grabbed it and before I could turn it loose, I lost my little pinky finger." Slim showed his musical talents early, singing in his church choir and playing piano. After his accident he couldn't play the piano anymore because he didn't have that little pinky finger so he picked up the guitar. He made his first guitar out of bailing wire from a broom, which he nailed to a wall. "My Mama whopped me when I tore up her broom," he said, "but she let me keep on using it. My Mama said later that if she had known what I'd be into later, she wouldn't have given me a whopping."

It was in 1955 when Slim made his first trip to Chicago, to play for Magic Sam, a friend of his from home. Magic Sam also gave Slim tips on playing the guitar, and it was Sam who called his bass player "Magic Slim," because back then Slim was lean and tall and he learned from Sam quickly. Sam told Slim to develop his own guitar style. "Magic Sam told me, don't try to play like him, and don't try to play like no one else; he said get a sound of your own." Slim did get a sound of his own; his guitar tone is tough and cutting, united with a virbato formed by his fingers against the strings to reproduce the sound of a slide guitar while still being able to bend the note. Slim said, "I slide with my finger. I use nothing on my finger, a lot of players try to get a sound like me and I play the same guitar everybody else plays."

Slim's take on writing songs. "I just think of some words and write them down, think of some more and write them down, and then when I get enough words together I take out some and put some in there and make them rhyme together and then I learn them, then I put music to them." "My songs are either telling a story or asking a question. It's just a feelin'." I understand you do not practice or rehearse. "No, I don't." How do you make up your set lists for your shows? "I see what kind of crowd it is, I play a few songs and see how people react and just see if they are a dancin' crowd or an older crowd and go from there." Do you have a favorite CD? "No, I like them all." What about a song to play? "I don't know, I like to play all of them." "And I like to listen to blues, jazz, bluesgrass and country and western." Some of Slim's favorite places to play are Brazil, Paris, Russia and here at home in the U.S.

What accomplishment stand out in your mind? "I've done so many things that make me proud, for one I like to make the people happy when I''m playing on stage and two, when I won the Handy for "Best Blues Band."

Where do you think the blues is headed? "I think the blues is coming back now, there are a lot of these kids reading up on the blues and now they know where the blues came from. Some of them can play too; I don't know how they feel, because the blues is a feelin'. You have to feel the blues to play it." What advice do you have fo aspiring young guitarists? "If you want to play the blues, play the blues. If you are goin' to play rock, play rock. I didn't say not to learn everything else, whatever you want to be, be that."

Magic Slim is a man that came from the country; he was slim and tall trying to play the blues, now he can play the blues. And like Slim says, "If you want to play the blues, play the blues, if you don't feel the blues, leave it alone, cause you can't be playin' it if you don't feel it."
























Magic Slim & The Teardrops – Official Website
http://www.magicslimblues.com/
Magic Slim & The Teardrops - Wikipedia
http://en.wikipedia.org/wiki/Magic_Slim
Magic Slim & The Teardrops - Facebook
http://www.facebook.com/magicslimblues
Magic Slim & The Teardrops - MySpace
http://www.myspace.com/magicslim
Buy Music!
Magic Slim & The Teardrops - iTunes
http://itunes.apple.com/ca/artist/magic-slim-the-teardrops/id3827332
Magic Slim & The Teardrops - emusic
http://www.emusic.com/artist/Magic-Slim-The-Teardrops-MP3-Download/11737324.html
Magic Slim & The Teardrops - Blind Pig Records
http://www.blindpigrecords.com/index.cfm?section=artists&artistid=15
Magic Slim & The Teardrops - Amazon
http://www.amazon.com/Magic-Slim/e/B000APYKCE/ref=ntt_mus_dp_pel
Magic Slim & The Teardrops – Last FM
http://www.last.fm/music/Magic+Slim+and+the+Teardrops

 

Kenny Neal


BIO: Kenny Neal

Kenny Neal is an acclaimed multi-instrumentalist and is widely renowned as a modern swamp-blues master. His new release, Hooked On Your Love, follows the triumph of his multi-award winning 2008 comeback album, Let Life Flow. An outstanding success, the CD raked in the accolades: three prestigious Album Of The Year awards, two Song of The Year awards for the title track, and Kenny himself garnered two Artist of the Year honors.

It was clear that Kenny touched something deep in the blues community with his soulful guitar playing and uplifting songwriting, and his hot streak continues with a batch of new songs. Hooked On Your Love covers the plethora of accomplished roots styles Kenny has become known for. The tasty musical gumbo of swamp-boogie, jazz, R&B, and straight-ahead blues all swirl together on this new CD.

Kenny Neal was born in 1957 in New Orleans and raised in Baton Rouge. He began playing music at a very young age, learning the basics from his father, singer and blues harmonica player, Raful Neal. Family friends like Lazy Lester, Buddy Guy and Slim Harpo also contributed to Kenny’s early musical education. In fact, it was Harpo who gave the crying three-year-old a harmonica to pacify him. Kenny stopped crying that day, and eventually learned to play the harmonica. Along the way, he also mastered the bass, trumpet, piano and guitar. At 13, he joined his father’s band and began paying his musical dues. Four years later, he was recruited and toured extensively as Buddy Guy’s bass player.

Following Buddy's advice to concentrate on his guitar playing, Kenny relocated to Toronto, and along with his brothers Raful, Jr., Noel, Larry and Ronnie - formed the Neal Brothers Band, honing his chops backing up visiting blues stars. Through the years, he has shared the stage or worked with a who’s-who list of blues and R&B greats at one time or another, including B.B. King, Bonnie Raitt, Muddy Waters, Aaron Neville, Buddy Guy and John Lee Hooker. Later, he fronted Canada's Downchild Blues Band, before returning to Baton Rouge to begin his solo career.

Signing with Alligator Records in 1988, Kenny began releasing a series of consistently lauded albums featuring his laid-back, Baton Rouge blues, with a modern spin on the Louisiana sound he grew up with. Throughout this period, Kenny distinguished himself as one of the brightest prospects of the contemporary blues scene, receiving great critical acclaim in the process. The Chicago Tribune pegged Kenny as “one of a mere handful of truly inventive young contemporary guitarists, Neal has something fresh to say and the chops with which to say it,” while AllMusic said his “gruff-before-their-time vocals retain their swamp sensibility, while assuming a bright contemporary feel that tabs him as a leading contender for future blues stardom.” Blues Revue agreed, calling Kenny "one of the brightest young stars on the blues horizon, and a gifted artist."

In 1991, Kenny branched out into the world of acting when he starred as the lead in the much-acclaimed musical, Mule Bone, a lost play written by the famed African-American poet Langston Hughes and folklorist Zora Neale Hurston in 1930. Featuring music written by Taj Mahal, Kenny’s performances garnered a prestigious Theater World Award for “The Most Outstanding New Talent On and Off Broadway,” and he concurrently set two Hughes poems to music on the album Walking With Fire

After his impressive run with Alligator, Kenny switched to Telarc, and continued to release albums highlighting his developing skills as a songwriter, as well as interpreting songs from musicians as diverse as Bob Dylan, John Hiatt, and Nick Lowe. His 2004 release with Billy Branch, Double Take, garnered Kenny a W.C. Handy award for Best Album. More recently, Kenny released A Tribute to Slim Harpo and Raful Neal, which pays homage to blues harp icon Harpo as well as Kenny’s father, who passed away as the album was being completed.

After relocating to the Bay Area in 2004, Kenny began hosting his own local cable TV program, “Neal’s Place.” The show features Kenny jamming and talking with the many international blues stars he has met and performed with, as well as local artists he has spotted at festivals and clubs. Filmed in front of a live studio audience, “Neal’s Place” has a relaxed, informal atmosphere that brings out the best in the artists, while giving an unscripted, improvisational edge to the performances.

In 2005, health problems forced Kenny to completely stop performing and recording for a few years. And, within an eleven month span during this recovery period, Neal lost his dad, sister, and brother. In the best blues tradition, Neal took the tragedies, adversity and heartbreak of those years and turned them into great songs and performances.

Writing, playing, and singing with a renewed sense of purpose and energy, he used the time to craft an inspired collection of songs that make up Let Life Flow. Released in 2008, the CD met with immediate critical success. Vintage Guitar said, “Kenny Neal’s new release is full of blues and soul music of the highest standard. While Neal’s always been one of his generation’s finest bluesmen, Let Life Flow helps push him into the upper echelon of the genre. His maturity, mastery of the music, and sheer determination show it, making this one of 2008’s best.”

Living Blues magazine added, “His latest effort is a resounding affirmation of his talents as a musician, songwriter, and singer,” while About.com offered that “Kenny Neal’s Let Life Flow album should be considered a masterpiece.”

The critical acclaim and passel of awards that followed are testament to not only the album’s soulful grooves, but also to the deep, emotional resonance in Kenny’s perseverance in face of life’s trials.

Kenny was able to return to the scene and the stage with a new vigor and outlook on life. With these, he entered the studio to whip up the good time gumbo of Hooked On Your Love.

The new album casts that potent Neal spell of deep grooves and deep feelings that put him where he is today. With tunes like swampy Louisiana look-back “Down In The Swamp,” the funky shuffle of Memphis in his take on “Blind Crippled Or Crazy,” or the soul searching blues of “Bitter With The Sweet,” Hooked On Your Love extends the spirit of his acclaimed Let Life Flow.

Take a listen and prepare to be hooked

Members:

Kenny Neal-Vocals, lead guitar, lap steel, harmonica Darnell Neal-Bass Frederick Neal-Keys Brian Morris-Drums

Influences:

Raful Neal, Slim Harpo, Muddy Waters, Big Mama Thornton, John Lee Hooker, Buddy Guy, Lazy Lester, to name a few.

Sounds Like:

The Blues: Past, Present and Future!

Record Label:
alligator records
























Kenny Neal – Official Website
http://www.kennyneal.net/
Kenny Neal - MySpace
http://www.myspace.com/kennyneal
Kenny Neal - Facebook
http://www.facebook.com/KennyNealBand
Kenny Neal – Wikipedia
http://en.wikipedia.org/wiki/Kenny_Neal
Buy Music!
Kenny Neal – Official Store
http://www.kennyneal.net/page.asp?page=video.htm
Kenny Neal - iTunes
http://itunes.apple.com/ca/artist/kenny-neal/id5586762
Kenny Neal - Rhapsody
http://www.rhapsody.com/kenny-neal
Kenny Neal - Amazon
http://www.amazon.com/Kenny-Neal/e/B000APWBLQ
Kenny Neal – eMusic
http://www.emusic.com/listen/#/artist/kenny-neal/11612535/
Kenny Neal – Last FM
http://www.last.fm/music/Kenny+Neal


Paul Collins Beat


About: Paul Collins Beat

The Beat was founded by Paul Collins, who spent his pre-teens living in Greece, Vietnam and Europe before returning to his native New York. He studied at the prestigious Julliard Music School and eventually moved to San Francisco where he joined songwriter Jack Lee and bassist Peter Case to form The Nerves in 1974. The Nerves proved to be one of the pioneers of the burgeoning US punk rock scene, independently releasing their own 4 song EP which included the classic “Hanging on the Telephone,” later to become a hit for Blondie.

After The Nerves disbanded in 1977, Collins moved to LA and formed The Beat with bassist Steve Huff, drummer Mike Ruiz and lead guitarist Larry Whitman. Their friend Eddie Money recommended The Beat for management by legendary concert promoter Bill Graham. Under new management, The Beat toured with The Police, The Jam and Joe Jackson. They also made numerous TV appearances and recorded their debut self-titled album with producer Bruce Botnick (who had produced The Doors). The album featured Beatles and Byrds-influenced guitars and catchy choruses, defining the skinny-tied power pop which The Knack took to the charts. In the ’90s, The Beat re-formed as Paul Collins’ Beat and continues to write and tour



 




















Paul Collins Beat – Official Website
http://www.thepaulcollinsbeat.com/
Paul Collins Beat - Reverbnation
http://www.reverbnation.com/paulcollinsbeat
Paul Collins Beat - MySpace
http://www.myspace.com/paulcollinsbeat
Paul Collins Beat - Facebook
http://www.facebook.com/pages/paul-collins-beat/46392812761
The Beat Army – On Facebook
http://www.facebook.com/pages/THE-BEAT-ARMY/346148489520
Paul Collins Beat – World United Music
http://worldunitedmusic.blogspot.com/2011/01/paul-collins-beat.html
Videos!
Paul Collins Beat - Youtube
http://www.youtube.com/thepaulcollinsbeat
Buy Music!
Paul Collins Beat – Official Store
http://www.thepaulcollinsbeat.com/
Paul Collins Beat - Amazon
http://www.amazon.com/Beat/dp/B000001L4B
Paul Collins Beat - iTunes
https://itunes.apple.com/us/artist/paul-collins-beat/id275516870
Paul Collins Beat – Last FM
http://www.last.fm/music/Paul+Collins'+Beat
Paul Collins Beat – Rhapsody
http://www.rhapsody.com/#artist/paul-collins-beat?&_suid=1358467654869028223006914833304
Paul Collins Beat – eMusic
http://www.emusic.com/listen/#/artist/paul-collins/12657372/

BIO: Paul Collins Beat

Rock icon and cult favorite Paul Collins got his start with Peter Case and Jack Lee in 1974. Their band The Nerves toured with The Ramones and recorded a song called “Hanging On The Telephone.” The song would later become a hit when covered by Deborah Harry and Blondie on the Parallel Lines album.

Paul Collins formed The Beat in 1979, recruiting members of various rock bands including Steven Huff, Larry Whitman and Michael Ruiz. The result was The Beat, a high energy rock group in the style of The Ramones, Blondie and The Dictators. As the story goes, Collins was awarded a record deal with CBS thanks to his friend Eddie Money and Bill Graham Management. The Beat toured extensively with top acts like The Jam, Pere Ubu, The Police, Eddie Money, The Plimsouls and Huey Lewis. The Beat became Paul Collins’ Beat when a ska band from UK began using The Beat as their moniker.

Paul Collins’ Beat continued to tour and record albums throughout the ’80s, with The Kids Are The Same, Beat Or Not To Beat, Long Time Gone, Live At Universal and their final album One Night, released in 1989. Paul Collins set out on a solo career, recording the self-titled Paul Collins album in 1992. This country/rock album included special guests such as Greg Kihn, Cyril Jordan (from Flamin Groovies), Jeff Trott (Sheryl Crow), Chuck Prophet, Dave Immergluck (Counting Crows) and key members of Chris Isaak’s band.

1993 brought the sophomore release by Paul Collins Band, entitled From Town To Town. The album was recorded with Arty Lenin of The Flashcubes, Rick Wagner and Will Rigby of The db’s and Billy Fica of Television. This album was released by Caroline Records and featured a country rock sound similar to The Byrds.

After a ten year hiatus The Paul Collins’ Beat resurfaced and released a string of new records. Flying High 2004, Ribbon of Gold 2007 and the latest King of Power Pop recorded with the legendary Jim Diamond in Detroit. Considered to be his best to date, the album gets back to the classic sound of The Beat, while combining the raw energy of Collins’ solo works.

“For me this is the record that connects the dots, from The Nerves to The Breakaways to The Beat to today… this is the record that puts it all together!”- Paul Collins

With the release of King of Power Pop, Paul set up The Beat Army an online Facebook community of people connected by their love of power pop, melodic guitar driven rock n roll. Now some 3000 members strong, Paul books shows all over the United States, Canada and Europe. “This is a model for the new DIY,” says Paul, “I am touring all over the world with new bands that feature the sound I helped to invent.”

 
 
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